Thanks Thomas, you're right that's another problem, the conspirators had to quickly assemble a crew and this crew already had their hands full with altering Altgens, Zapruder, the backyard photos and all the other films/photos that contradicted these alterations and to think that all these alterations remained unseen until this latest band of clueless wonders stomped onto the scene.
There's never been a photo/film alteration conspiracy that Storing hasn't fully embraced with every fibre of his existence and without fail every scientific LNer explanation for why Storing is wrong is "rubbish/nonsense/false/a cheat/etc/etc", like when he tried to convince that Zapruder didn't match Altgens, Baker couldn't see through the glass vestibule window, Mumford, timelines, black levels, etc, etc. It's an endless list of stoopidity, that never has an explanation and again and again he says "I see something wrong, you prove it to my biased amateur/novice/layman satisfaction or it's proof of fakery"
The size of Lovelady's head in a 16mm frame is way smaller than a pinhead yet some sfx experts tracked Lovelady and in about 5-6 hours accurately painted in a shadow consistently from frame to frame onto the jerkiest handheld footage imaginable and another insurmountable problem is matching the right shade of black that seamlessly blends with the rest of the shadows in the frame and is another reason why this is just ridiculous.
JohnM
Hey John, aye you ever going to show Oswald in the 6th-floor window or any window before during or after this period you are referring to. You can't though, can you? I wonder where he was, not in any window and you don't see him on the steps?
Come on John, we know he was not in any window, show us the picture of Oswald in a window with a gun..but you can't
