Those Front Steps

[Ray Mitcham]

No, Mr Mitcham, you never showed us where you placed Prayer Man in relation to Mr Lovelady. And here's why: it is impossible to put Prayer 'behind and to the right of Lovelady' without contradicting Wiegman in the most absurd way. Look see for yourself!





If you still can't see the obvious here, try refuting yourself this way:

Your Mr Lovelady need only stretch his right arm perpendicular to his body to touch the redbrick column; in what possible world does Wiegman show Mr Lovelady able to do this?

Your placement of Mr Lovelady, in short, is way, way off! 

You forgot add "IMHO." In the frames shown you can see that Lovelady moved. You can see the difference in the shape of the corner shadow on him.

[Alan Ford]

You forgot add "IMHO." In the frame shown you can see the Lovelady moved

No idea what your point is here, Mr Mitcham.

But do tell us: Are you happy to put your name to the following statement about either of the two frames below?

"IMHO, Lovelady here need only stretch his arm out to touch the redbrick column"

[Ray Mitcham]

No idea what your point is here, Mr Mitcham.

But do tell us: Are you happy to put your name to the following statement about either of the two frames below?

"IMHO, Lovelady here need only stretch his arm out to touch the redbrick column"

I don't have sufficient information to make any comment. Neither do you.

Why do you think "they" "painted" different shape shadows in each frame? Or did the "coat" over the shoulder move?

[Alan Ford]

I don't have sufficient information to make any comment. Neither do you.

 

So here's the state of play, Mr Mitcham:

We both look at these frames:



I say: Mr Lovelady is clearly not within reaching distance of the redbrick column therefore Mr Mitcham's suggested placement of him is incorrect

You say: I prefer not to comment on whether Mr Lovelady is within reaching distance of the redbrick column because... uh... well...

Keep smoking the righteous stuff, Mr Mitcham!

 

[Ray Mitcham]

Why do you think "they" "painted" different shape shadows in each frame? Or did the "coat" over the shoulder move?

Bump.

[Ray Mitcham]

So here's the state of play, Mr Mitcham:

We both look at these frames:



I say: Mr Lovelady is clearly not within reaching distance of the redbrick column therefore Mr Mitcham's suggested placement of him is incorrect

You say: I prefer not to comment on whether Mr Lovelady is within reaching distance of the redbrick column because... uh... well...

Keep smoking the righteous stuff, Mr Mitcham!

 

What distance is Lovelady from the brick wall?

[Royell Storing]

A while back, I invited Mr Mitcham to show us where he thinks Mr Lovelady is standing. Here's what he came up with:



Compare with the reality:





Trying to contain my laughter, I asked Mr Mitcham to show us where he thinks Prayer Man is standing in relation to Mr Lovelady. He never got back to us on that one...

   Hey Jughead, YOU keep Forgetting that the landing in front of the TSBD is LESS than 4 Feet Deep. You got people stacked up back there like cordwood. And Ford has You by the short-n-curlies with his "outstretched arm" of Lovelady touching that West wall = No Room for Prayer Man.  You ain't got the room/space on that landing for the regiment of folk you have knocking around back there. And of course there is the Black Guy at the bottom of the Steps that YOU have in line with Lovelady. That cartoon you continue to swear by is funnier than an Archie Comic Book   

[Gerry Down]

Prayer man is taking photos. Bear in mind the second image (of the two image animation) does not tell us where the object he is holding up finished. Had the image been captured a second later, the object may have been up to his eye. In which case, it would likely be a camera he was holding and not a drink.