Mr. BELIN - Then what did you do?
Miss ADAMS - I proceeded out to the Houston Street dock.
Mr. BELIN - That would be on this same diagram? It is marked Houston Street dock, and you went through what would be the north door, which is towards the rear of the first floor, is that correct?
And down some stairs towards the rear of the dock?
Miss ADAMS - That's correct.
Mr. BELIN - Where did you go from there?
Miss ADAMS - I proceeded--which way is east and west?
Mr. BELIN - East is here. East is towards Houston, and west is towards the railroad tracks. You went east or west? Towards the railroad tracks or towards Houston Street?
Miss ADAMS - I went west towards the tracks.
Mr. BELIN - How far west did you go?
Miss ADAMS - I went approximately 2 yards within the tracks and there was an officer standing there, and he said, "Get back to the building." And I said, "But I work here."
And he said, "That is tough, get back." I said, "Well, was the President shot?" And he said, "I don't know. Go back." And I said, "All right."
Mr. BELIN - Then what did you do?
Miss ADAMS - I went back, only I went southwest.
The railroad yard is not mentioned, it doesn't have anything to do with anything. Adams is saying that after leaving the Houston Street dock she (and Styles) went left (east) towards the railroad tracks. If we assume the spur running around the back of the TSBD is the track in question she doesn't get very far before being stopped by the police officer. They are nowhere near the railroad yard which is why it isn't mentioned by anyone. She gets into a conversation with this officer and accepts she has to go back into the TSBD. Although its's quicker to go back the way they came to get in the building Adams wants to go round to the front entrance. They make there way round the building to the street that runs directly in front of the TSBD. After this Adam's testimony is littered with phrases indicating she was in no rush to get back in:
"Mr. BELIN - Well, did you come back by way of the street, or did you come back the same entrance you went out?
Miss ADAMS - No, sir.
Mr. BELIN - You went back in through the front entrance, through the front of the building?
Miss ADAMS - Well, I didn't go back in right away.
Mr. BELIN - What did you do then? There is a street that would be a continuation of Elm Street that goes in front of the building, and Elm Street itself angles into the freeway. Did you go back either of those streets?
Miss ADAMS - Yes, sir. I went by the one directly in front of the building."
Mr. BELIN - What did you do when you got there?
Miss ADAMS - When I got there, I happened to look around and noticed several of the employees, and I noticed Joe Molina, for one, was standing in front of the building, and also Avery Davis, who works with me, and I said, "What do you think has happened?"
And she said, "I don't know."
And I said, "I want to find out." I think the President is shot."
She wanders round to the front of the building, spots some of her colleagues and strikes up her second conversation after coming out of the building.
"There was a motorcycle that was parked on the corner of Houston and Elm directly in front of the east end of the building, and I paused-there to listen to the report on the police radio, and they said that shots had been fired which apparently came either from the second floor or the fourth floor window, and so I panicked, as I was at the only open window on the fourth floor."
It seems clear from her testimony she was in no rush to get back inside, the idea she stood around for 3 or 4 minutes on the fourth floor is incompatible with her testimony. She makes it absolutely clear time and again she leaves within seconds of the last shot and is corroborated by Styles and Garner. Also Garner's statement of hearing the girls go down the stairs and seeing Baker come up those same stairs invalidates the 3 to 4 minute interval, as does Adam's sudden, overwhelming need to find out what's going on.
The timeline has Adams racing out of the building @ 12:01, making her way towards the tracks round the back of the TSBD, getting into a conversation with a police officer, making her way round to the front of the TSBD (presumably in no big hurry any longer), getting into a conversation with colleagues and stood around until she hears the message on the police radio.
Adams does not see Shelley and Lovelady on the first floor as she and Styles race out of the building. The timeline (not to mention the work of Barry Ernest) establishes that.
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