Guess the conspirators must have decided the Billy Lovelady in Hughes film with long sleeves wasn’t a problem, or else they missed spotting him.
They’re worried about that Altgen photo 1st print and that bare forearm that is not attached to either Lovelady or the black man.
Apparently there wasn’t much time to alter this 1st print and so they used some quick method of alteration to make the arm appear to be attached to the black man?
Or was it meant to make it appear the arm belonged to Lovelady?
It’s botched up either way as we examine now with our advanced tech Internet imaging devices,
However, 1963, they must have thought the 1st alteration was good enough to fool most of the people , including Walter Cronkite, and that by the time any tech would be available for mass examination by the public at large, most the conspirators would probably be dead.
On examining the Weigman film later, some astute conspirator noticed Lovelady had his sleeves down and worried that eventually some CT like Mark Lane might actually notice that and also notice the arm was not dark enough to be plausibly belonging to the black man.
So apoarently, it was decided the Weigman film frames needed to have Loveladys left arm blackened out and then a 2nd alteration to the Altgens to cover up the arm with texture pattern of Loveladys shirt.
Also apparently, the bottle was cut out or airbrushed out and then a new photo taken of this 2nd altered Altgen print to produce the negative that would become the official negative for the next 50 plus years.
And this was apparently missed by thousands of OCD JFK researchers until the end of the year 2020, when one Mr. Ford stumbled across this Walter Cronkite video and saw the anomaly in an extraordinary new way that becomes more apparent and defined as an arm with a bottle in it. Especially with enlargement and highlighting with blinking lights
