Then went outside to watch P. parade ( Parts 1 & 2 )

[Alan Ford]

From 29 Feb '64 FBI report:



From 19 March '64 FBI report:



Mr. Lovelady is correctly identifying himself as the man whose face is in the doorway in Altgens. But...............

-------------------on the far left side [as the viewer sees it] of the doorway?
-------------------to the far right [for a person standing in the doorway] against the wall of the entranceway?

Complete and utter nonsense, as Mr. Lovelady and FBI know full well.

But why not just state the truth: Mr. Altgens' angle and use of telephoto lens give the false impression that Mr. Lovelady is over by the west wall?
Why not just clarify that he is up on the next-to-top step, over near the center rail?
Where would be the harm in that?

Answer:

Mr. Lovelady must cover two bases at the same time:
1. Being Billy Nolan Lovelady----------------not standing over by the west wall
2. Being Lee Harvey Oswald---------------standing over by the west wall

 

[Alan Ford]

Friends, the Warren Gullibles are completely checkmated by the analysis I have laid out in the foregoing pages. The pathetic attempts at gaslighting from Mr. Jerry Organ
--------------Blue is white/white is blue..........
--------------Redshirt Man in Bell is Lewis/Redshirt Man in Bell is Lovelady............
--------------Hackerott's 3D graphic is exceptional/Hackerott's 3D graphic is not to scale..........
--------------Let's pretend the flapping object in Towner is Lovelady's shirt
--------------The top version below (for which I deliberately used a non-relevant frame) is clearer and more useful than the bottom version (which does contain the relevant frames and which I really wish I hadn't posted):


.........etc., etc.)

only illustrate how utterly helpless these smug emeriti from the McAdams Echo Chamber are in the face of the visual evidence proving Mr. Oswald's presence on the front steps.

Don't believe me?

Here's a quck & fun way of calling their bluff and exposing their intellectual dishonesty:

Ask them to explain the shadow down Mr. Lovelady's right side in this Wiegman frame------------------



And then-------------------watch them run away in terror, every single time!

Each time they chicken out of answering this simple question, what they are telling us is that they are lost in cognitive dissonance:
a) No, I can't explain that shadow
b) Yes, that shadow can easily be explained



 

[Alan Ford]

The flapping object in the doorway in Towner just east of Messrs. Roy Edward Lewis & Lee Harvey Oswald:



This object in Bell is NOT moving in concert with the unified movement of the foliage. And its movement is much too quick.

 

[Alan Ford]

This flash is in an interesting place..................





 

[Alan Ford]

Screenshot from The Lost Bullet, showing digitally restored Towner footage:



Cf:


 

[Alan Ford]

This intriguingly localized flash makes one honestly wonder if amongst the effects taken from Mr. Oswald's Beckley room-------------



----------------might not have been an item that contained hard evidence of the only shots the absurdly accused Mr. Oswald actually took that day from the Depository building..................



 

[Alan Ford]

From No More Silence by Mr. Larry Sneed:



We can easily identify one of these cameras in the photo of Mr. Oswald's Beckley effects. Was any Beckley camera officially listed by the 'investigating' authorities?

 

[Alan Ford]

Friends, now that Mr. Lovelady has been distinguished from Mr. Oswald on the front steps, [.............]

Mr. Roy Edward Lewis (in front of Mr. Oswald) raising his left arm to wave at Pres. Kennedy as he comes onto Elm St.:


[Credit for source GIF: Mr. Jerry Organ]