Then went outside to watch P. parade ( Parts 1 & 2 )

[Alan Ford]

What is Mr. Jones carrying in his right hand?



 

[Alan Ford]

In one sense, of course, the identification of the man standing in front of Mr. Oswald has become somewhat academic in light of the differentiated identification of Messrs. Lovelady and Oswald that has now been achieved (thanks to Hughes-Bell-Towner). That remains the substantive issue, and represents an historic breakthrough (----------->LHO alibi for the shooting).

However! It's good housekeeping to develop maximal insight into what & who precisely is where precisely in that all-important doorway in those all-important seconds. As anyone who has been around this case for a while will know only too well, even the most trivial-seeming detail can take on unexpected revelatory significance............

I particularly would like to resolve the question of what exactly this area in Bell----------------------from behind which Mr. Lovelady becomes visible to Mr. Bell's camera--------------------really represents:



The Lewis/Jones question may-------or may not--------bear upon this question!

 

[Alan Ford]

From Ms. Madie Reese's March 20 statement to FBI:



Question for TEAM KEEP LHO OFF THEM STEPS!

Does Ms. Reese's disclaimer about having seen Mr. Oswald in the building 11/22 cover the enclosed front entranceway, which is where she was at the time of the assassination? Or do you believe that the phrase "in the Texas School Book Depository building" does NOT include the entranceway?

 

[Alan Ford]

Making the necessary correction to the Lovelady position will of course offer a more accurate representation of where in the doorway he is in Bell (more towards the center). This will allow us to cross-refer nicely with Mr. Lovelady's fleeting appearance, just a couple of seconds prior, in Hughes:

The center railing, against which Ms. Reese is standing/leaning:



A wider shot:



Given that Mr. Bell is NOT filming the doorway head-on, but is slightly west of it, there now can be no serious question but that Mr. Lovelady is well over towards the center of the doorway-------------------which of course is just where his fleeting appearance (as he leans west) in the Hughes film but two seconds earlier puts him also.

GREEN ARROW: MR. LEE HARVEY OSWALD
YELLOW ARROW: MR. BILLY NOLAN LOVELADY


[Credit for posting source GIF: Mr. Jerry Organ]

 

[Alan Ford]

What now for Warren Gullibility, that bizarre cult of propagandists and midwits?

Their central article of faith----------that Mr. Oswald shot Pres. Kennedy----------has just been exploded. Every time henceforth that they post anything that proceeds from the assumption that Mr. Oswald was up on the sixth floor firing those shots, they will just be advertising their own stupidity, delusion and/or dishonesty. Their every saying will be haunted by the ghost of this man, whose murder by Mr. Jack Ruby they have openly celebrated and whose agonies in the electric chair they have fantasized about:



My friendly advice to these sad kooks (once the reality of what has just happened has sunk in with the wider research community and beyond, as sink in it certainly will) would be to emulate DPD in the first hours after Mr. Oswald's arrest: go all in on the Tippit case. Meanwhile, the Warren Critics can continue to inquire into the still unanswered question of who killed JFK (a President many of you hate).

Either that or go reflect a while on the idiocy of this dogmatic slumber you have been in all these years-------------and then go find a more productive and less pathetic hobby.

It is, in short, over, Warren Gullibles------------------let it go.

 

[Alan Ford]

Given that Mr. Bell is NOT filming the doorway head-on, but is slightly west of it,

The identification of the center railing is most helpful!

Arrows point to edge of Mr. Lovelady's left shoulder and to Ms. Reese's right elbow:



This brings us closer, but we're not yet quite at the cigar stage. Mr. Bell moved slightly west of where the 3D program has him (it's why he's catching shadow from the tree rather than the full sunlight we earlier see him enjoying on the pedestal). Watch the red vertical line:



There is also still, I think, a slight but impactful scaling issue (yellow arrow):



Friends, I spoke before of the 'investigating' authorities' fear that some member of the public might at any time come forward with clear photo/film evidence of the Lovelady/LHO switcheroo------------i.e. clear evidence that Mr. Lovelady was NOT the only red-shirt-wearing fellow on the west side of the doorway. When Mr. Robert Hughes came forward on 11/26/63 with his home movie, they must have thanked the stars above that a certain little girl had decided to watch the P. Parade from a certain pedestal!



 

[Alan Ford]

The 'Prayer Man' research push was an heroic project, which has culminated in TOTAL vindication on the question of Mr. Oswald's doorway alibi, and PARTIAL vindication on the identification of 'Prayer Man'.

The 'Prayer Man' figure in the Wiegman film IS indeed Mr. Lee Harvey Oswald, his person obscured by the same technique that has thrown a ridiculous fake shadow down Mr. Lovelady's side:



However! The 'Prayer Man' figure in the Darnell film is NOT Mr. Oswald. That person is a woman, who was standing behind Mr. Oswald while he was on the steps:



Those who are still staking all on 'Prayer Man in Darnell', and giving folks to understand that this is the be all and end all, are only setting themselves and others up for disappointment-------------and (quite unintentionally) playing into the hands of the now desperate Warren Gullibles who want Mr. Oswald's real alibi, as established in the preceding pages here, to get lost in the noise of pseudo-controversies.

 

[Alan Ford]

I still suspect that lower white area is actually sunlit entranceway steps.

Alternatively!



CAR:



Note location relative to yellow street pole: