I can see that JFK is reacting to being shot through the neck. I can see that JBC is also reacting. But I can't tell for sure that JBC has been shot. The reason I can't tell is:
1. the evidence says that this was the first shot
2. JBC said he was not hit in the back on the first shot.
3. Nellie said JBC was not hit in the back on the first shot but JFK was.
4. JBC said he reacted immediately to the first shot by doing exactly what we see him doing after z223: turning around to try to look at JFK. Nowhere else do we see any attempt whatsoever to look at JFK, let alone when he is showing concern over hearing a rifle shot.
5. JBC said he was hit in the back on the second shot.
6. The evidence is overwhelming that the second shot was followed in close succession by the third shot that struck JFK in the head. Greer, Altgens, Gayle Newman, Powers, Hickey all corroborate this. So the second shot striking JBC in the back occurred after the midpoint between the first and third, which is some time after z256.
Now you say I am stuck on a "theory" because I am unable to see reason? That's the reason. I am just following the evidence. Your "you see he is hit in the back at z224" is not reason. It is a complete and abject failure to follow the evidence.
The Zapruder footage is, by far, the best, strongest evidence we have of what happened at this moment. I put the Z-Film before witness statements. You do not. As you have so amply demonstrated time after time, if witness statements are contradicted by what we see in the Z-Film you go with the witness statements. I do not.
Saying something is clear does not make it so.
I agree. But if something is clear then it's clear.
It is anything but clear that JBC's arm is not moving.
And here we have the craziness.
Who said JBC's arm isn't moving? Are you implying
I've said that?
Provide the quote please.
JBC's arm is in constant motion during the clip.
It doesn't have to be visible to Zapruder!! What kind of an analysis is that based on? I could just as easily say the forearm/wrist is not aligned with the exit wound from the chest because we can't see it.
The forearm/hand/wrist moved down from z222 to z223 and the jacket moved (the jacket may simply have opened if he took his arm off of it, so we cannot tell that the jacket moved because it was dragged by the arm). From z223 to z224 the jacket moved back similar to a position it was in in z222. From z224 we can see the forearm was moving. What we can't see is whether the forearm was moving before z224.
Now you agree that the forearm was moving from z222 to z223 and from z224 to z231, but you can tell it was stopped from z223 to z224? How on earth can you determine that from the zfilm when you cannot see the forearm at all between z223 and z224? And you are supposedly the "reasonable" one and I am not!!
Wow!
For anyone interested there is a detailed analysis of these frames in "The First Shot" thread.
As far as Andrew's rant is concerned -
In z222 (not shown in the clip below) the white cuff of JBC's sleeve can be seen just above the top of the door.
In z223 (the first frame of the clip below) the cuff has disappeared below the top of the door frame - this is the bullet strike.
In z224, JBC's forearm is still below the top of the door.
And this is the problem Andrew is struggling with because it is in this same frame that the 'lapel flip' occurs,
while JBC's forearm is still below the top of the door.As the clip rolls on we see JBC's hand and forearm emerge from beneath the top of the door.
The problem for Andrew's latest doomed theory is that he imagines the 'lapel flip' is caused by JBC's arm moving across the front of his jacket. As can be seen in the clip below, the 'lapel flip' occurs
before JBC's hand emerges from beneath the top of the door frame.
That is to say, it occurs before JBC's hand has moved across his jacket.
This means JBC's hand movements could not have caused the 'lapel flip'.
Andrew's argument that - just because we can't see JBC's hand, therefore we don't know what it's doing, therefore it could be doing anything - is really as sh*t as it sounds.