It’s kind of hard to imagine that this could be related to the first shot, but depending on its evaluation it might warrant further investigation.
In the Miller photo, a small blotch appears on the limo door next to the keyhole by Kellerman. Visually it appears positioned above the apparent reflected interface between the ground and the sky, so the sky appears to be in its background and it's not associated with the ground.
What comes to mind as possible sources of that mark might be:
- A mark on the limo surface itself
- A reflection of some object nearby in the air
- An anomaly in the photo’s developing or printing, locally at that spot
Any thoughts? Are there other obvious explanations besides these?
This is the cleanest version of the photo I have which was originally printed in The Saturday Evening Post, issue date 12/4/63.