It is the great weakness of the LNer narrative that almost every piece of evidence relating to who was on the 6th floor just before, during and after the assassination points away from Oswald:
_Oswald pointed himself out the door immediately and created the evidence as he went along
Cool
Four of the five witnesses describe the man on the 6th floor wearing clothes Oswald didn't wear that day and didn't own.
_Thank god he wore some clothes. I can see the headlines: 'Pervert Snuffs President'
It would be better for you if the shooter were wearing clothes that Oswald actually owned, but he wasn't, demonstrating Oswald was not the man on the 6th floor.
Euins describes a "bald spot" Oswald didn't have.
_'White spot'
Come on, Bill:
"I seen a bald spot on this man's head, trying to look out the window. He had a bald spot on his head. I was looking at the bald spot. I could see his hand, you know the rifle laying across in his hand. And I could see his hand sticking out on the trigger part. And after he got through, he just pulled it back in the window."Euins sees a bald spot on top of the shooter's head. Demonstrating it wasn't Oswald
Brennan describes a man with a squarer jaw than Oswald who appeared to be at least 5 years older than Oswald and who stood at the window admiring his handiwork as the limo drove through the underpass when the WC has Oswald rushing away from the SN to make his rendezvous with Baker with three seconds to spare.
_I missed the memo on the 'squarer jaw'. And Oswald was not exactly fresh-faced to begin with. And can you confirm that Oswald watched long enough to see them 'go through the underpass' from this: Brennan-"He drew the gun back from the window as though he was drawing it back to his side and maybe paused for another second as though to assure himself that he hit his mark, and then he disappeared.”
"And can you confirm that Oswald watched long enough to see them 'go through the underpass'Yes, I can:
Even as I hit the ground, my first instinct was to look back up to that man on the sixth floor. “Was he going to fire again?” I wondered. By now the motorcade was beginning to speed up and in only a couple of seconds the President’s car had disappeared under the triple underpass. To my amazement the man still stood there in the window! He didn’t appear to be rushed. There was no particular emotion visible on his face except for a slight smirk. It was a look of satisfaction, as if he had accomplished what he had set out to do. He seemed pleased that no one had realized where the shots were coming from. Then he did something that puzzled me. Very slowly and deliberately he set the rifle on its butt and just stayed there for a moment to savor what he had done, like a hunter who has “bagged his buck.” Then, with no sense of haste, he simply moved slowly away from the window until he disappeared from my line of vision.
Eyewitness to History, by Howard L. Brennan, with J. Edward Cherryholmes
The three men on the 5th floor don't hear anyone rushing about inches above their heads.
_Were they actually listening for somebody 'rushing'? (Btw, how high were those ceilings?) The 3 Amigos seemed more interested in getting over to the west window.
Were they listening for the bolt action of the rifle or the shells hitting the floor? No, but these things were still heard. As Brennan points out, the shooter was in no rush, just standing there, admiring his handiwork. That's why they didn't hear the gunman rushing away -because he didn't rush away. The three men stayed where they were long enough to hear anyone who might be rushing away but they didn't hear anything.
Conversely, the men running across to the west end of the building was heard by an office worker on the fourth floor.
Go figure.
The perfectly positioned Garner doesn't see Oswald supposedly rushing down the stairs.
_Then Oswald fooled her. And was she actually listening or watching for somebody coming down the stairs? Did she know enough about what was going on to expect an appearance by a shooter?
Was she actually listening for Adams and Styles running down the stairs? No, but she still heard them.
Was she watching for Truly and Baker coming up the stairs? No, but she still saw them.
So she was in a position to see and hear all this activity on the stairs but no sign of Oswald or anyone coming down the stairs in between Adams/Styles going down and Baker/Truly coming up. Demonstrating Oswald never rushed down the stairs for his rendezvous with Baker in the second floor lunchroom.
Oswald places himself in the Domino Room at the time of the shooting which is confirmed by his observation of Jarman and Norman entering the TSBD and making their way round to the west elevator.
_Oswald said a lot of things
So did Jarman and Norman, confirming the only time and place he could have seen them was on the first floor minutes before the shooting. Demonstrating Oswald was not the shooter.
Rowland spots the man with the rifle at the west end of the 6th floor when he's supposed to be hiding in the SN.
_Seems Oswald took a last check of shooting-position choice
Really?
Isn't Oswald supposed to be hiding in the SN at this time while BRW has his lunch?
Oh, that's right - BRW was having his lunch in the SN at this time. How inconvenient.
But he can't be in the SN because Rowland spots a black male in the SN window at a time when BRW is having his lunch on the 6th floor, the remains of which are found on top of the SN (eight officers confirming the lunch remains were found at the SN).
_Rowland said a lot of things
He did indeed.
This black male disappears a few minutes before the motorcade arrives mirroring BRW's known movements.
_'Dun-dun-dun' (cue dramatic music)
Just sayin'.
It fits with the known facts.
Got a graphic for that Bill?
_Got a word-salad for that, Dan?
Who? Me?
billchapman
Let there be light
billchapman
The idea that seeing things in sunlight bleaches out the colour of everything is patently ridiculous.
Sunlight highlights colours.
Of course a colour becomes darker in the shadows, but to imagine it then becomes almost white in the sunlight is misguided, to say the least.
Try it next time you're out and about. See how daylight emphasises colour.