A Candidate For Prayer Person?

[Alan Ford]

...
4. Mr DuVall claimed to have been sitting on the front steps for the motorcade and to have noticed the black car when JFK "came down Main to turn right". You say there is no still or moving image of this event. Can you kindly point us to the still and/or moving images taken of the front of the Depository when JFK was on Main Street about to turn right? 
...

Mr Howard Brennan spoke of a strangely parked Oldsmobile by the TSBD just before the assassination, which had disappeared when the assassination was over. Does anyone here know if he ever mentioned what color that car was?

 

[Chris Davidson]

The distinctive 'double head at double elevation' phenomenon does not appear in the Lovelady@LowerElevation frames, Mr Davidson, so I'm not sure why you are posting one of them here. (His head in the out-of-focus frame you have posted is being stretched btw--------different thing altogether, and not relevant!)

Dormon had a lot of camera movement as she was filming.
Is this double image another instance of "stretching" while the rest of the frame blurs?

The "in-focus" frame contains no double image.

[John Mytton]

Mr Howard Brennan spoke of a strangely parked Oldsmobile by the TSBD just before the assassination, which had disappeared when the assassination was over. Does anyone here know if he ever mentioned what color that car was?

 

It's wonderful that you trust Mr Brennan to identify an Oldsmobile because Brennan also identified Oswald with a rifle at the 6th floor sniper's nest window at the exact time of the assassination, you know the window with the 3 shells and on the same floor was Oswald's hidden rifle.

JohnM

[Thomas Graves]

It's wonderful that you trust Mr Brennan to identify an Oldsmobile because Brennan also identified Oswald with a rifle at the 6th floor sniper's nest window at the exact time of the assassination, you know the window with the 3 shells and on the same floor was Oswald's hidden rifle.

JohnM

John,

I believe that old Oldsmobile was still there several minutes (if not hours) after the assassination.

It's the one near the police motorcycle that people were standing around, listening to its radio, iirc.

--  MWT   

[Thomas Graves]

The distinctive 'double head at double elevation' phenomenon does not appear in the Lovelady@LowerElevation frames, Mr Davidson, so I'm not sure why you are posting one of them here. (His head in the out-of-focus frame you have posted is being stretched btw--------different thing altogether, and not relevant!)

Now, turning to the Lovelady@UpperElevation frames...

At a conservative estimate, the following four frames show the double head and the side wall in (some) focus:



It is possible that, in one or two of the even sharper frames elsewhere in this Lovelady@UpperElevation sequence, Mr Oswald's features were evident enough to merit targeting for obscuring (as was the case for the entire Lovelady@LowerElevation sequence). But------------due to the apparent movement of Mr Oswald's head-------------I'm not quite convinced this would have been necessary.

I must reiterate the key point here: the distinctive 'double head at double elevation' phenomenon attaches itself uniquely to Mr Lovelady. Lots of blur, image-stretching, etc. elsewhere, but only Mr Lovelady manages to get a second head with a will of its own across multiple frames. And that would be the same Mr Lovelady who uniquely manages to attract an impossible shadow to his body--------------an impossible shadow that has the remarkable property that it can get in front of a car aerial!

Coincidences? Not a chance!

Mister Ford,

It's fascinating that your "Oswald" and Lovelady have equally bald heads!

--  MWT   

[Alan Ford]

Dormon had a lot of camera movement as she was filming.
Is this double image another instance of "stretching" while the rest of the frame blurs?

The "in-focus" frame contains no double image.

Sorry, Mr Davidson, not interested in veering off to Geektown with you on this. If you have an argument you wish to develop, post it.

And if you find someone other than Mr Lovelady in those Wiegman frames with a second head @ higher elevation across multiple frames, let me know!

And if you finally feel in a position to state the blindingly obvious about this image, namely: that Mr Lovelady is nowhere near the shadow line------------------



----------------then by all means feel free to state the blindingly obvious! 

[Alan Ford]

Mister Ford,

It's fascinating that your "Oswald" and Lovelady have equally bald heads!

--  MWT   

Really, Mr Graves?



What's truly fascinating is that you still can't explain how natural shadow could possibly be falling on Mr Lovelady when he's standing here:



Oh dear, oh dear... 

[Thomas Graves]

Really, Mr Graves?



What's truly fascinating is that you still can't explain how natural shadow could possibly be falling on Mr Lovelady when he's standing here:



Oh dear, oh dear... 

Oh My God! 

Now it looks like a three-faced Janus!

--  MWT