« Reply #25 on: April 06, 2022, 04:14:02 AM »
We have had access to the Moorman drum scan image that’s in our UNGER Gallery since 1967. How did we miss this image of a sniper?From the UNGER Gallery:
LARGE Moorman Drumscan ( Credit: Josiah Thompson ) Craig Lamson Version
Josiah Thompson (The history behind the Drumscan):
I'll try to explain. In the spring of 1967, I was done with my LIFE assignment and was putting together all the details that went into Six Seconds. Mary Moorman's photograph was extremely important since it showed the knoll at Z 315. I had done some research with AP and Wide World in New York concerning the negatives and prints of the photo that they had. But the original Polaroid was sitting in Dallas. I paid Mary Moorman for the use of her photo in Six Second. Part of the deal was that she would let a professional photographer come to her house and copy the Polaroid. I hired a professional photographer to do this. He went to her home and copied the Polaroid using a medium format camera where the negative itself is about the size of Moorman's Polaroid. It was that negative from forty-five years ago that I had scanned in San Francisco. The drum scan resulting may turn out to be the highest resolution copy of the Moorman photo extant since the Polaroid itself has deteriorated further with each passing decade.
« Last Edit: April 06, 2022, 02:29:37 PM by Jake Maxwell »
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